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Audiolise Documentary

A short video documenting Audiolise. Outlines who Audiolise are, what we aimed to achieve and our progress across our three exhibitions.


Audiolise Soundscapes

The following is linked to audiolise soundcloud containing all the soundscapes that were made over the course of the first 2 exhibitions in Dundalk and in Dublin. The soundscape for every different painting from each participant are available to listen to. These soundscapes were also available for people to listen to at the Fis exhibition in the Carrols building in Dkit in June.

 


Findings – “Into the Woods”, Diana Muller

We found some interesting aspects to this painting as two people had very different descriptions of their feelings towards the paintings. One user had a massive background in music and music production while the other had a huge interest in everything visual. This can be reflected within their soundscapes. The musically inclined user gave the sound more “space” while the visual user went for more “chaos”. This “chaos” was achieved by placing many different notes all over the time line resulting in a loud and uncontrolled sound from the soundscape.A large portion of the people who picked this piece were foreign. This statistic was not seen across any of the other art pieces with 35% of the users for “Into the Woods” being foreign.
All of the user soundscapes for “Into the Woods” are on our Soundcloud http://soundcloud.com/audiolise
and here’s 3 example soundscapes.

Findings – “Untitled 1”, Ken Browne

This painting produced very different soundscapes. This was not reflected in the feedback, however, as there were trends found in users feedback from the paintings such as dark, isolation, loneliness and division. These trends did not have any effect on the sounds capes as there was no similarities found in those who used similar words to describe the painting.Upon listening to the soundscapes both on an overall scale and within each category mentioned, no relationships were noticed between the audio pieces. This may have been reflected in the results where on average, users did not fully feel they represented the
feelings of the painting in their soundscapes.
All of the user soundscapes for “Untitled 1” are on our Soundcloud http://soundcloud.com/audiolise
and here’s 3 example soundscapes.

Findings – “Tree”, Susan McEvoy

In two particular soundscapes for “Tree”, the users who created them stated that they felt the sounds were perfect for the painting, and both felt the same about the relationship between their soundscape and the painting, that it suited the painting. They also both had similar feelings toward the painting, making reference to nature and forestry. However, their resulting audio pieces were very different, and both audio pieces were created using different techniques. One went for a rhythm while the other ignored this and chose a sensory arrangement.What was more unusual about this was that the user who did not choose the rhythm option is a DJ, yet every other DJ who used the project went for rhythm in their soundscape, thus breaking a trend that applied across all paintings. The other user who created it using the rhythm is not a DJ.
All of the user soundscapes for “Tree” are on our Soundcloud http://soundcloud.com/audiolise
and here’s 3 example soundscapes.

Findings – “Plunge”, Ben Readman

The users were happiest with the relationship between the sample sounds and the art for this painting. However, this did not reflect their views on the soundscapes that they created, as they did not necessarily feel that they created audio that suited their feelings towards the painting. This indicated that although people would be likely to choose an audio sample that they felt related to the painting, this did not necessarily mean that their soundscapes would exactly turn out what they wanted to portray in their audio.The audio pieces themselves did not have any resemblance with each other in
particular, which resembles the feedback users gave about the paintings, i.e. they differed in audio and they differed in verbal explanations for the piece. The common research ground here was that most of the users did not feel that their soundscape suited the
painting and that they all had mainly different feelings towards the painting.
All of the user soundscapes for “Plunge” are on our Soundcloud http://soundcloud.com/audiolise
and here’s 3 example soundscapes.

Findings – “Mottled Blue”, Sean Cotter

There were no similarities with how users felt about the painting and it’s relationship to the soundscape they created. Some reflected that they created an audio piece that did not resemble the art while others felt that it did to a certain extent. The second noticeable point was that we got a mixture of occupation types or creative interests for this painting, there were no trends in this either. The descriptions that people gave towards their feelings for the painting were also completely different for this painting.When we examined the audio soundscapes that the users had created, it showed us that there were no similarities in the audio pieces either; some created busy audio pieces, other created less busy ones, some attempted to induce rhythm, others didn’t. Even the tempo’s for the piece differed extensively, from as slow as 40bpm to 129.76bpm.All of the users created a soundscape slower than 140bpm, the default tempo when starting a new soundscape. This indicated that each of the users made a conscious decision to turn the tempo down during their audio production stage.
All of the user soundscapes for “Mottled Blue” are on our Soundcloud http://soundcloud.com/audiolise
and here’s 3 example soundscapes.

Findings – “Doorway”, Eoin Mac Lochlainn

The artist who created this painting (Eoin MacLochlainn) was among the users who created a soundscape for this painting. The artist used a different way to describe the painting, he describes the painting as “homeless in the city”, with nobody else making similar references. The audio soundscape he created was completely different to all other soundscapes created. This would back-up Lui Chun Hau’s comment:“Artistic creation is not mere decoration. The artist has to convey his inspiration to others while allowing them freedom and interpretation”.We also examined two audio pieces where the users descriptions of the painting both included references to “hope” and “fear”. Both these users were of similar age but had completely different occupations and creative interests. Their resulting audio was not similar; one opted for a fast-tempo, minimal soundscape, while the other opted for a medium-tempo, sonically busy audio piece, which made hints towards rhythm being present.
All of the user soundscapes for “Doorway” are on our Soundcloud http://soundcloud.com/audiolise
and here’s 3 example soundscapes.

Findings – “B3”, Erin Treacy

Of the “B3” soundscapes, one in particular was significantly different from all the others. Upon examination of the creator’s feelings towards the painting, we found them to be very different from the others aswell. This user described the painting as showing signs of “disturbance and nausea” with the others quoting upbeat emotions. This audio piece also used a very fast tempo whilst other soundscapes used a mid-range tempoTwo of the other soundscapes used very similar low-end sound patterns to create rhythm. They both described the painting as showing energy. Rhythm and energy are closely related within audio production. This may indicate a particular trend in rhythm and energy patterns.
All of the user soundscapes for “B3” are on our Soundcloud http://soundcloud.com/audiolise
and here’s 3 example soundscapes.

Findings – “Abstract in Calder Pink”, Diana Muller

Five of the soundscapes made to coincide with “Abstract in Calder Pink” used similar production & arrangement techniques. Each of there five users had different occupations, with both users feeling their soundscapes representing their feelings towards the painting 80%. However, each of there users worded their expressions of the painting in different ways.

In contrast, two seperate users described their feelings towards the painting in extremely similar ways. They both felt their soundscape represented their feelings towards the painting 80%. The two audio soundscapes turned out to be completely different in sound. The only other differences between these users were occupation, hobbies and gender.

All of the user soundscapes for “Abstract in Calder Pink” are on our Soundcloud http://soundcloud.com/audiolise
and here’s 3 example soundscapes.

Fís Exhibition Invite – Come one, Come all.

This is the invite for our final exhibition for project Audiolise. The exhibition will take place from the 1st-3rd of June in PJ Carrolls building in DkIT.

This is where we will be showcasing our findings that we have gathered from our first two exhibitions and it is really throwing up some interesting feedback.

Hope to see you there!


2nd Exhibition – Done and dusted.


We had our 2nd exhibition in The Exchange Gallery in Temple Bar, Dublin last night and it was a raging success. The response and feedback was more than we expected. We would like to take this chance to thank each and every person who attended the night. We all really enjoyed the experience and got to meet alot of new and interesting people.

We are now getting into the process of compiling and analysing the data we have gathered and it is already throwing up some interesting results.

We will continue to blog and update you on our progress over the next two weeks and look out for our next documentary teaser coming soon.

To View all the photo click below.

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How to get to The Exchange Exhibition.

Follow this map from The Olympia Theatre. Simple really.


Ink & Digital

As well as our press release finding it’s way around. Ink&Digital.com also have a write up about us which we are really happy about. The project is getting a lot of promotion and publicity and hopefully that will continue.
Ink and Digital write up on Audiolise.

Find the article HERE.

Big thanks to Trish Morgan.


Teaser Video from first Exhibition

Footage taken from our first of 3 exhibitins showcasing our project in The Basement in Dundalk.

First in a series of small videos in preparation for our full documentary, charting the journey of Project Audiolise.


Basement Gallery 17th of May 2011.


Photos @ The Basement Gallery, Dundalk – 17th May

Our exhibition in The Basement Gallery was a major success with some great positive feedback. We are already itching to head up to Dublin in just another days time.

Check out the rest of our photo’s from what was an enjoyable day.

Read More below:

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1st Exhibition – Great Success

Gallery Visitor

It’s the day after our first exhibition in Basment Gallery in Dundalk. As a group we were all very happy at how the exhibition went.

Sean Cotter and Susan McEvoy, 2 of the Louth artists involved in the project even made a visit down

We got excellent feedback on the project from all users and it has also really helped us prepare for the next 2 exhibitions in Dublin on Thursday and then the Fis Exhibition in June. Audiolise would like to thank Denis Darcy for allowing us the opportunity to host our project in the Basement Gallery. We are now making the final preparations for the Exchange Gallery exhibition tomorrow. We hope to have an even larger crowd for the exhibition in the exchange.

MORE PHOTO’S TO FOLLOW


Prep of Exhibition going well until……..

BUT LUCKILY


On the eve of our first Exhibition

The Day before exhibition in Basement Gallery   On the eve of our first exhibition in the Basement Gallery in Dundalk, the group are working hard to ensure everything is ready for tomorrow. Last minute touch ups can often be over looked the day before exhibition so we want to make sure everything is in working order and things will hopefully run smoothly.


Promotion is going well

Preparing for Basement Gallery Exhibition With the first exhibition one week away, the group are just putting finishing touches to our project and making sure everything is ready for it. The group are all excited for our first public showcasing of our project and hope to have a good turn out. There has a real push and the group are making a lot of progress. Naturally the week before our first 2 exhibitions is going to be very busy and there is a still a large list of things to do before next Tuesday. The group is also delighted to see the Audiolise press release has started to pop in a number of places.

Which include the following:

•    The Createlouth website : http://www.createlouth.ie/audiolise-in-the-basement-gallery
•    The entertainment section of the Dundalk Democrat. http://www.dundalkdemocrat.ie/lifestyle/entertainment/project_shown_in_dundalk_and_dublin_1_2665531
Diana Muller Blog. Artist in project :  http://aboggerblogs.blogspot.com

We have also received contact from several national newspapers who wish to send along reviewers to the shows. We have also been included in 12 radio stations event guides with stations like Phantom and Nova.


Audiolise Invites

This is a sample of the Audiolise PDF invite that is currently being sent out.


Exhibitions Confirmed

17th May – The Basement Gallery, Dundalk.

19th May – The Exchange Gallery, Temple Bar, Dublin

1st-3rd June –  The Fís Exhibition, PJ Carrolls Building, DkIT, Dundalk


March – April

The Group are in the process of finding more artists for the project and experimenting with all the tools we have to use, such as TouchOSC, Flash and Ableton live. As of the time of writing we aim to have at least 8 different art pieces from separate artists. We have sent out numerous emails and have received a number of replies. At the moment we have around 5 pieces and we are in regular contact with different artists, in particular Diana Muller from Brushwood studio’s in Kerry, who has showed a distinct interest in our project. Diana is in the process of sending us some hi res pictures of her paintings and she has also told us that other painters in Brushwood studio’s were willing to work with us also which was great to hear. As well as that, we have also been in touch with NCAD student union and they are putting out details of our project in their weekly newsletter. Fingers crossed we will be getting some replies from interested NCAD students or alumni, as well as exhibiting and promoting our own project, a big part of this project is also promoting the exceptional standard of art that exists within Ireland today.

We have been in contact with more and more artists from around Ireland. In terms of art we expect to have pieces from at least 8 different art pieces from a number of artists. As a group we have been conferring and we all know the style of art we think we suit best for the project. As the objective of the project is to have the user create audio from interpretation of the art, we have been looking a lot of abstract art pieces as we feel people will bring the own interpretation from more abstract pieces. Ciaran has been researching and making a short list of Irish artist, of whose work would be ideal for our project.

We sent out a lot of emails to various Irish artists whose pieces we liked. The list of artists in this project is are as follows:

• Diana Muller
• Erin Treacy
• Ken Browne
• Ben Readman
• Eoin Mac Lochlainn
• Sean Cotter
• Anne Muller
• Susan McEvoy

The artists we have short listed have been getting back to us and all seem very interested in the project and are willing to work with us. Ciaran has collected 8 hi res images of the paintings we want to use in the project from all 8 artists. The next step is David creating the interface for the project with all 8 art pieces included.
The group has been working hard to ensure that we are all up to date with our different roles. Ros has been over-seeing the entire project to make sure everything has been getting done and making sure we are ready for the upcoming deadlines which include the demo on the 6th of May and 2 exhibitions before our main FIS exhibition, one of which will be held in Dundalk and the other in Dublin. David and Pauric have been working tirelessy with the design and audio aspects of the project.